SONY 18-110MM F/4 PZ G OSS AF E-MOUNT LENS, BLACK [95] WITH TRIPOD MOUNT EXTENSION (SELP18110G)

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SONY 18-110MM F/4 PZ G OSS AF E-MOUNT LENS, BLACK [95] WITH TRIPOD MOUNT EXTENSION (SELP18110G)

Last updated on May 21, 2022 7:04 am
SONY 18-110MM F/4 PZ G OSS AF E-MOUNT LENS, BLACK [95] WITH TRIPOD MOUNT EXTENSION (SELP18110G)
SONY 18-110MM F/4 PZ G OSS AF E-MOUNT LENS, BLACK [95] WITH TRIPOD MOUNT EXTENSION (SELP18110G)

Description

With a wide focal-length range and a constant f/4 aperture in a compact form factor, the Sony E PZ 18-110mm f/4 G OSS Lens offers videographers and cinematographers a versatile lens choice for lightweight operations. While the lens may seem small, it has professional features to back it up. The 18-110m focal-length range covers moderately wide to narrow angles-of-view. Sony’s built-in Smooth Motion Optics leverage the internal mechanics of the lens to minimize focus breathing, focus shifting, and other anomalies that would otherwise be noticeable when adjusting the lens during recording.

The body of the lens sports separate focus, zoom, and iris rings for complete manual control. Just pull the focus ring back and full-time manual focus is engaged. The focus ring itself has built-in cinema-standard gearing for follow-focus compatibility. Zoom functionality can be operated both manually and electronically. The zoom ring is connected to the lens mechanically, so crash-zooms can be achieved without lag. Iris operation can be done automatically, or by rotating the iris ring. By disengaging the iris click switch, manual iris adjustments can be made smoothly.

For smaller, less robust cameras, a quick-release tripod foot is included. The foot secures towards the rear of the lens for tripod use. Alternatively, a conventional lens support can be attached near front of the lens for compatibility with rod-based lens supports. The filter thread will accept 95mm-diameter round filters and the included lens cap. A lens hood is also included for minimizing flare. The hood’s shuttered design can be closed when the camera is not in use.

Smooth Motion Optics

Sony’s SMO (Smooth Motion Optics) design and construction minimizes optical shifts that can have a negative impact on image quality. Focus breathing is minimized by an internal focus mechanism, focus shift while zooming is eliminated by precise focus tracking adjustment, and axial shift is minimized by a constant-length design.

Versatile Zoom Control

In addition to a smooth servo zoom, mechanical manual zoom ensures precise control with an immediate response. The desired angle of view can be accurately reached by preventing over or undershoot due to lag. Zoom ring direction can be easily switched as required, smooth, slow powered zoom is supported, and an inner zoom mechanism means that the length of the lens remains constant, regardless of focal length.

Professional Focusing Features

The focus ring slides back to quickly engage manual focusing. Cinema-standard MOD 0.8 gear teeth are built into the focus ring, enabling use of standard follow focuses without requiring cumbersome focus gear accessories.

Compact Design

The lightweight form-factor of this lens contributes to the kind of mobility that active movie shooting demands. Small size and low weight can be advantageous when using gimbals and other types of support as well.

18-110mm APS C / Super35 E-mount Power Zoom Lens

18-110mm (6.1x) Super 35mm/APS-C format power zoom lens, built for 4k moviemaking. Constant F4 maximum aperture throughout the zoom range for flexible operation. SMO (Smooth Motion Optics) Minimized focus breathing, ramping and axial displacement.

Wide ratio (6.1x) power zoom lens

This advanced powered zoom lens has been designed for optimum performance in pro-standard Super 35mm / APS-C moviemaking applications. Starting at 18mm wide-angle and extending through an impressive 6.1x zoom range, it offers a constant F4 maximum aperture all the way. Controls and layout have also been optimized for moviemaking.

High-quality G-Lens optical design – ideal for 4K moviemaki

High-quality G Lens optical performance delivers image quality that will satisfy the most demanding professional requirements. Six aspherical elements and three ED glass elements in an 18-element 15-group design effectively suppress spherical and chromatic aberration throughout the zoom range, from the image center to periphery, achieving high resolution that is ideal for 4K production. This lens is not only an excellent choice for movies, but offers outstanding image quality for still photography as well, with stunning resolution throughout every APS-C format image.

Smooth Motion Optics

SMO (Smooth Motion Optics) design and construction minimizes unwanted focus and image shifts while focusing or zooming for stable, high-level 4K movie production while ensuring smooth, quiet operation. Unwanted image shifts that can have a significant impact on movie quality. Focus “breathing” or shifts in angle of view during focusing are minimized by an internal focus mechanism. Small focus shifts that can occur while zooming are eliminated by precise focus tracking adjustment and axial image shifts while zooming are minimized by a constant-length design

Constant F4 max aperture and 7-blade circular iris

Constant F4 max aperture maintains exposure and depth of field regardless of the focal range you chose to zoom to. When changing your aperture to defocus the background, the areas outside of the focal plane appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result

Servo / manual mechanical zoom w/ switchable ring direction

High-level zoom functions include responsive manual zoom in addition to servo zoom for precise and flexible control in any situation. A mechanical drive system for manual zoom operation ensures direct, responsive control with no lag. The desired angle of view can be easily and accurately reached without overshoot or undershoot. When servo zoom is required it can be quickly activated by a switch. The direction of the zoom ring can also be switched to match individual user preferences. Slow zoom is also supported, up to three times slower than the FE PZ 28-135mm F4 G OSS.

Independent Zoom, Focus and Iris rings for superior control

Independent focus, zoom and iris (aperture) rings offer superior direct operability and reliability for professional visual production. The focus ring slides to switch between auto and manual focus (AF/MF), so the switchover can be made with no break or change in shooting posture. It also includes a distance scale to aid manual focus and a 0.8mm pitch focus gear, built right onto the focus ring, which provides direct compatibility with standard focusing accessories. Servo / manual mechanical zoom with switchable zoom ring direction offers precise control over a wide range of shooting conditions. The iris ring can be switched between clickable aperture stops for still image or off for smooth and silent iris control for video.

Inner focus and zoom

Internal focus and zooming means the overall length of the lens remains constant. This makes it easy to use matte boxes and other lens accessories, and also minimizes center of gravity shift so that the lens remains ideally balanced for stable shooting. The filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.

Dust and moisture resistant design for maximum performance

The dust and moisture resistance design makes this lens appropriate for heavy-duty outdoor use, especially when combined with a camera that employs weather resistant measures such as the Sony’s a7 series of cameras. Design and manufacture are carried out to rigorous standards, ensuring the highest possible performance and reliability for movie production.

Optical SteadyShot

Built-in Optical SteadyShot (OSS) image stabilization helps to keep recorded images stable and free of excess blur in a wide range of handheld or locked-down shooting conditions involving camera movement.
  1. Wide ratio (6.1x) 18-110mm1 Super 35 / APS-C power zoom lensHigh-quality G-Lens optical design – ideal for 4K moviemakingSMO Minimized focus breathing, ramping and axial displacement
  2. Constant F4 max aperture maintains exposure and depth of field Servo / manual mechanical zoom w switchable zoom ring direction Independent Zoom, Focus and Iris rings for superior control
  3. Inner focus and zoom with dust and moisture resistanceSilent Iris and linear AF drive system for quiet operationOptical SteadyShot image stabilization for video and stills
  4. Extend your focal reach w/ 1.4x and 2.0x tele converters. Maximum Magnification ratio (x): 0.122
  5. Minimum focus distance:0.4 (W)–0.95 (T) m (AF/MF); 0.95 m (Full MF) (1.31 (W)–3.12 (T) ft (AF/MF); 3.12 ft (Full MF))

ADDITIONAL INFORMATION

Brand Name Sony
Filter Size 95mm coarse (1. pitch)
Focus Type Autofocus (lens motor)
Lens Mount Sony E Mount
Lens Type All-In-One
Max Focal Length 110mm
Min Focal Length 110mm

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Reviews (1)

1 review for SONY 18-110MM F/4 PZ G OSS AF E-MOUNT LENS, BLACK [95] WITH TRIPOD MOUNT EXTENSION (SELP18110G)

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  1. Alex

    I bought this lens not really knowing if I was going to keep it or not. It was depending on how it performedwith my A7r2 and FS7. I come from a Stills lens background, not Cine but I wanted something that could give me an all around look and serve numerouspurposes, while I was shooting different events. To be honest I’mnot sure if I would call this lens a cine lens, more like a hybrid lens, between Broadcast and the ability to be a Cine Lens. This Lens is very nice for reacting to the environment,events, and things around you. Run and Gun as they say works great with this lens, news,docs and event shooting will work great as well. At f4 it’s not going to be that fast lens but it has a lot of other features to make up for that and if you’re shooting outside or have mediocre lighting it will be efficient and yield some great sharp, clean footage. $3,500 is a lot but not for a lens of this kind. This lens will make your life much easier if you use AF or even if you like the feel of a good MF lens. It’s parfocal with minimum breathing. IT’S BIG and it’s not a carry around in your hand all daylens. On my FS7 it pairs great, on my A7r2 it looks and feels pregnant. At the end of the day, i’mkeeping it for all the reasons I thought I would. It just works better than most other lenses on a Sony Camera, All the way around. Hope this helps you.

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